The all New Zealand issue

The winter edition features all New Zealand poets – the four competition winners, as selected by Emma Neale, a few unplaced entries from the competition, and two haiku.

It’s at the printers now and I’m expecting all 5900 copies to be ready  by the end of the week. I’ve blocked out the following two weekends for addressing and enveloping so hopefully come June 1, medical centres, rest homes, hospices and prisons around the country will have their winter supply of poetry.

Many thanks to everyone who entered our 2013 poetry competition. The printing and postage costs for winter 2013 have been met by your entry fees with assistance from Bendigo Valley Sports & Charity Foundation.

Post or email me any feedback. It all helps when I’m sending off applications for funding. And remember to pop over to Bellamys at Five for artist and poet updates and news of other activities happening at the Gallery during the September exhibition.

Cheers 

   Ruth

Introducing our winter 2013 poets

Joan AndersonJoan Anderson wrote stories, plays and songs emphasising rhythm, drama, colour and humour to bring learning alive for the spirited and talented Maori, Island and pakeha children she worked with as head teacher of junior classes in two low-decile South Island schools.
It wasn’t until completing a late PhD in English Literature that she submitted her writing for children to the educational market for publication. Now, Joan is capturing experiences and memories in poetry form and is delighted  ‘Country School 1946’ is being published in the Poems in the Waiting Room series where she hopes it will  speak to many New Zealanders.

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Ernest J Berry is a 1929 model made in Christchurch where he remained till volunteering for Medical Corps service in the Korean War 1950. From early childhood he was entering poetry contests with sufficient success to prod him into adopting poetics as a retirement project in 1987. In 1995 he became aware of haiku and took to it like ducks to a frogpond. From then till now  he has won countless haiku prizes worldwide, authored 2 books of haiku, co-authored three more & appeared in numerous anthologies.

Ernest J Berry

Ernest Berry – a self portrait, at an ANZAC Service and in Tokyo last year

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Bronwyn Bryant was born in Napier, New Zealand on 16 March 1946. Her mother was an active member of the Napier Repertory Society so she performed in her first play at age ten and went on to act in high school productions then plays at Ardmore Training College. She was the sort of child who frequented the library and could read for hours by torchlight after the lights were out. The family played word games and went in for interminable punning sessions.

At training college she majored in English, specializing in children’s literature, which she still reads with enjoyment and she has dabbled in the occasional university English paper and writing courses over the years. She was National President of New Zealand Toastmistress in 1981.

In the early nineties she retired from classroom teaching and started taking writing classes for adults at Uxbridge Creative Leisure center. Since then she has taught writing up and down New Zealand to groups in REAP, prison, mental health trusts, community arts and poetry as well as piloting a writing course for the housebound.

She is known for her desktop published books, which are the customary follow-up to her classes. Laughter from the Lounge, a publication of work from her Uxbridge groups was produced with grants from Uxbridge, Manukau City Council and Creative New Zealand.

In 1999 she spent a year in Wellington, attending the Creative Writing course at Whitireia, Porirua Polytechnic. There she studied short fiction, poetry, script writing, starting a novel, oral history and journal writing. She was a runner-up in the 1999 Whitireia National Poetry Competition. In 2000 she submitted a portfolio of poetry for assessment and was awarded the Whitireia Diploma of Creative Writing.

Her poems have been published in Takahe, Tongue in Your Ear (Volumes 5 and 7), Aotearoa, Nga Maunga Korero, Strands of Silver, An Exchange of Gifts (NZ Poetry Society) and on the Manukau Library website.

Bronwyn Bryant

Bronwyn Bryant

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Kirsten Cliff is a writer and poet whose work has been published in journals and anthologies worldwide. She is currently working on her first collection, “Patient Property”, which explores her recent journey through leukaemia. Kirsten is editor of the haikai section of the New Zealand Poetry Society magazine, a fine line, and is this year the judge of the NZPS International Haiku Competition Junior Section. She blogs at Swimming in Lines of Haiku

Kirsten Cliff_biopic

Kirsten Cliff

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My name is Max Eyton. I was born in 2001 and I am 11 years old. I go to Tomarata school. It’s a fantastic little school because it has a cool playground, lots of sport equipment to play with and awesome teachers. I really like maths and I am very good at it. I am taking drama classes at school and I have done about 5 productions. My mum is from Holland and my father is from NZ. When I was a baby she spoke Dutch to me and now I speak it too. I like travelling and I have been to Holland, London, LA, San Francisco, Fiji, Tahiti, Bali, Samoa, Rarotonga, Perth, Hong Kong. In January I went to Beijing and saw the Great Wall it was awesome but freezing cold. I have been to Cape Reinga and think the South Island is so great with lots of different things to do. So as you can see I like travelling, I also like reading. I do Kempo which is a martial art and I play soccer.  We don’t have any pets but sometimes I play with the chickens.

Max

The first photo is taken by the Great Wall of China, the second photo is me in my soccer clothes and the third photo is me in the sand at Te Arai.

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Catherine Fitchett lives in a slightly wonky house in Christchurch with her husband and a varying number of grown up children. In the day she works in accounts. She writes poetry in the evenings and weekends.

Catherine Fitchett

Catherine Fitchett

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Siobhan Harvey is the author of the poetry collection, Lost Relatives (Steele Roberts, 2011) and the book of literary interviews, Words Chosen Carefully: New Zealand Writers in Discussion (Cape Catley, 2010). She’s also the editor of Our Own Kind: 100 New Zealand Poems about Animals (Random House, 2009). Recently her poems have been published in Asheville Poetry Review (US), Best New Zealand Poems 2012, Evergreen Review (US), Five Poem Journal (Ned), Landfall,Meanjin (Aus), Poetry New Zealand, Stand (UK), Structo (UK) and Turbine 12. She was runner-up in the 2012 Kevin Ireland Poetry Competition, 2011 Landfall Essay Prize and 2011 Kathleen Grattan Prize for a Sequence of Poems, and nominated for the 2011 Pushcart Prize (US). Her Poet’s Page was recently launched on The Poetry Archive (UK).

Siobhan Harvey 1

Siobhan Harvey

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Jan Hutchison lives in Christchurch. Her third collection of poems – The Happiness of Rain – was published last year.  She is published in Australia, England, and New Zealand.

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Stephanie Mayne is an Auckland librarian. Her poetry has been published in newspapers, anthologies and online literary journals.

Stephanie Mayne

Stephanie Mayne

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Peter McCoy

Peter McCoy

Originally from Auckland, Peter McCoy currently lives with his partner and their three children in Nelson.  He works as a secondary school teacher at the Southern Regional Health School based at Nelson Hospital. He has previously taught in Samoa, Saudi Arabia and several schools in Auckland and Wellington.
He has a Diploma in Teaching from Auckland Teachers College, and a Bachelor of Arts (Education) and a Diploma in Teaching English as a Second Language (DipTESL) from Victoria University of Wellington. He has recently graduated from Massey University with a Graduate Diploma in Arts (English) and is continuing with further post-graduate studies in creative writing.
He has previously had poetry published in Takahe. Besides poetry he also writes short fiction and is working on a novel for young adults.

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Poemas en la Sala de Espera

Waiting Room1

Poems in the Waiting Room

Last month I received an email from Juan in Colombia. He’d discovered Poems in the Waiting Room and contacted the UK team who redirected him to me for information about setting up PitWR. I sent a long email to Juan – giving him the ins and outs, ups and downs, tips and tricks of setting up the project. I’ve done this before for interested people but no one has taken the plunge until ………

waitingroom2

More Poems in the Waiting Room in another waiting room

today, when I received another email from Juan

Dear Ruth

Thank you very much indeed for your wonderful response! I want to congratulate you for your great and beautiful work. I hope to soon have the first card and I would be honored if one of your poems, translated into the Spanish, is in that first card.

……… I will also include many poems by local poets and only some translated. To start I think that we will only distribute the cards in medical practices and gradually we will be reaching other waiting rooms, I hope, because as you say very poetically, “life is really one big waiting room.”  I want again to thank you for your words that encouraged me to continue with the dream of soon have a “Poemas en la Sala de Espera” twinned with New Zealand and the United Kingdom.

How about that for an exciting end to my working week!!!

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Braille booklets are back!

Autumn1

Autumn in Wanaka

Today I received a letter in response to a funding application and it didn’t say a cheque is in the post. But that wasn’t bad news because …….. it said, the money is in your bank.

Immense immense gratitude to The Lion Foundation for their support of our braille poetry booklet venture.

We had to halt production at the end of last year because I couldn’t secure ongoing funding for the braille booklets. But in the wee small hours one morning I came up with the idea of reducing the number of poems in each booklet which would in turn reduce our costs.

Late this afternoon I emailed Lyvie from the RNZFB with the good news. I sent her a mix of poems from the autumn and winter poetry cards and let her know my budget would allow 10 pages of braille in each booklet so please fit in as many of these poems as you can.

The Lion Foundation’s grant will allow us to transcribe and print 10 braille poetry booklets each season for the next four seasons. Wonderful!

Kingfisher

Kingfisher musing on a line in Dunedin last weekend

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Wallpaper, walking and words

In town, the wallpaper house with its apron

We’re very lucky that there are a variety of great walks we can enjoy just by stepping outside our front door. Some days we’ll take the car, park in town, and spend an hour or two exploring back streets, alleys, or the industrial area within the city. Other days we might drive towards Port Chalmers or Portobello and  enjoy a walk on established tracks, walkways  ……..

white heron
Today we decided to walk from home, a favourite 10km circuit which provides us with sea and harbour views. We hadn’t been walking ten minutes when we spied a white heron on the lagoon. We’ve lived here for 25 years and this was our first sighting!  So the rest of the walk we made up stories as to why it had decided to put in an appearance, where it might have come from ………

Smaills Beach
Further up the hill we watched surfers checking out the waves, and then we turned left, climbing up and over until the harbour was in sight. Walking homewards with the harbour for company we came across these kids and nanny.

goats

Yesterday’s walk involved driving to the other side of town. We created a loop walk, as we’re not fussed about retracing our steps. The bull and cows were very vocal. I was quite wary about being in amongst them but was assured the farmer wouldn’t leave charging bulls on a freely accessible public walkway. The views looking across the harbour townwards and out to Port Chalmers and seawards were terrific.

Walkway collage

Last week while walking along a rural road we came across this wording on a plaque on a tree at the beginning of a bush walk.

Time flows beyond this point.

Explore

Time flows beyond this point. Explore
Sometimes we walk and talk,  mostly we just walk and enjoy the silence, birdsong and views. But whatever we’re doing, I’m always collecting words and ideas for poems!

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A little bit of this, a little bit of that, and golf!

This afternoon I called in to the printers to select the colour for the winter card. Matthew was very patient with me as I flicked back and forth through the colour charts, umming and ahhing. There were several colours I liked but I had to take into account how well the poems will show up against various backgrounds so in the end I chose a ‘safe’ colour!

Wanaka billboards

Wanaka billboards

And talking of colour, we were in Wanaka during the recent Wanaka Festival of Colour. We enjoyed watching the progress of these billboards  as we walked along the lakefront into town.

Wanaka lakefront tree

Looking up from under a lakefront tree

I think I’ve mentioned before that I don’t ever ask for submissions for the Poems in the Waiting Room cards because I just don’t have the time to read,  or respond to  large volumes of mail. Because the cards appear quarterly we only need approximately 40 poems annually. By entering our annual poetry competition it means you’re not only supporting our charity but also there’s a chance your poem will be considered for publication in a future card.

The winter card, due out in June, features the winning poems from our 2013 competition plus three poems, including one by an 11-year-old lad, which were entered in the competition.

I made the difficult decision at the end of last year to halt production of the braille booklets because I couldn’t secure funding for them. After receiving a heartfelt letter from a lovely lady saying how much her friend appreciated the booklets I had a rethink. If I can secure funding I’ll start publishing the booklets again but reduce the number of poems from 8 to 4, thus halving the cost of each edition. I’m hoping to hear back any day now as to whether my latest funding application has been successful.

Last week I received a letter in the mail from my friend Elspeth. I just wanted to send you this poem from a friend of mine.  She is almost 91 now and  as sharp as a tack -  wonderfully outspoken and perceptive. Anyway, despite having difficulty seeing, she is a great fan of Poems in the Waiting Room. She sends greetings, ( probably blessings as well, given she is a nun) and has also since sent me a copy of a poem she wrote about a nephew’s  golf news.

So I thought I’d share it with you.

How Come?

How come –
This tiny, little ball
Has me so firmly in its thrall?

It sits sedately on its tee
And sends magnetic rays to me

And then –
With my smooth, measured swing
It seems to grow a magic wing

And takes the fairway straight and clean
To land precisely on the green.

At other times, as if to tease,
It veers off sideways in the trees

Or, just so close you cannot miss
It rings the hole and takes the (you know what!)

And yet –
You clever son-of-a-gun
One glorious day, YOU HOLED IN ONE.

How come?

Pauline O’Regan

Pauline O'Regan

Pauline O’Regan

 And, if you want to know the latest news about the poets and artists participating in our 2013 exhibition, Bellamys at Five, hop over here .

Cheers

Ruth

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September 15

SAVE THIS DATE NOW!

It’s our fifth birthday in September and we’re celebrating!!!!

Poems in the Waiting Room presents

Four Poets at “Bellamys at Five”

Come along and hear Brian Turner, Emma Neale, Fiona Farrell, and Kay McKenzie Cooke read at Bellamys Gallery in Macandrew Bay on Sunday September 15.

Time to be confirmed.   Admission by koha/donation.

We’re organising other events and will list them over here as they’re confirmed.

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Stones and poems

Views from Harbour Cone

We’ve been grabbing every opportunity to go walking on the Otago Peninsula while the cooler weather and winds are holding off. A couple of weekends ago we drove up Highcliff Road, parked the car and walked up to Harbour Cone. The views on the way up, once there, and on our return journey were fantastic. 360 degrees of delight. On the way back  I looked closely at the stone walls and marvelled how each stone was just the exact fit. It made me think of writing a new poem. Words are selected, discarded, and picked over until every one is an exact ‘fit’. Hopefully then, the poem like the stone walls will have a greater chance of enduring for years.

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