2019 Poetry Competition Results

Time to announce the winners of the

2019 Poems in the Waiting Room Poetry Competition

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The 2019 competition winners have all been notified, and I’ve emailed everyone, who provided me with an email address, to let them know the results are out. Many thanks to: Otago University Press,  Otago University Bookshop and The Wardrobe, South Dunedin for providing monetary prizes for our 2019 competition.

The winning poems will appear in the winter edition of the Poems in the Waiting Room poetry card. I intend spending some time over Easter going through all the submissions and selecting any which might be suitable for a future PitWR edition. I’ll be in touch with those poets in due course.

Many thanks to everyone who entered the competition. Your support will help Poems in the Waiting Room continue to provide free seasonal poetry cards to medical waiting rooms, rest homes, prisons and hospices throughout New Zealand.

Regards,  Ruth Arnison

The results with Diane  Brown’s comments are below:

Otago University Press First Prize

“The Stanley plane” by Richard Mays –  Palmerston North

Otago University Book Shop Second Prize

“No word” by Jilly O’Brien – Dunedin

The Wardrobe, Dunedin Third Prize

“Too Late” by Brian Small Lower Hutt

Highly recommended

“The Great Poetry Heist” by Richard Mays – Palmerston North

“Immigrant’s child” by Tui Bevin, Dunedin

“Rangiātea” by Michaele Keeble, Porirua

Judge’s Report – Poems in the Waiting Room Competition, 2019

It was a privilege to read the entries submitted in the Poems in the Waiting Room
Competition. Although there was no restriction on theme or subject, there was a proviso
made that the poems ‘must be easily accessible, and not make great demands. Poems with political, religious, medical or morbid overtones will not be successful.’ This is
understandable for poems to be published and distributed widely to medical waiting rooms, hospices, prisons and rest homes. I was acutely aware that I was selecting poems to be possibly read by someone in difficult circumstances and possibly by someone who hadn’t read poetry since their school days. The role of a judge is to be impartial as possible without an agenda of their own. Of course this is almost impossible when it comes to content but I looked for poems that would take the reader out of their own head for a moment and entertain, comfort or intrigue.

I took some more objective criteria such as technical aspects into consideration. Poems that possessed an internal rhythm or chime and that showed an awareness of how the poem looked on the page. Some poems let themselves down by presentation and grammatical errors. In the main there were many worthy winners but I was looking for the poems that stuck in my mind, earworms but not annoying ones.

The Romanian poet, Paul Celan said: ‘A poem, as a manifestation of language and thus
essentially dialogue, can be a message in a bottle, sent out in the—not always greatly
hopeful—belief that somewhere and sometime it could wash up on land, on heartland
perhaps. Poems in this sense, too are under way: they are making toward something.’

I made a short list of the poems that I would love to pull out of a bottle washed up on the
beach. A particular message sent by a stranger to another stranger. A poem that would take me somewhere new and touch me in some way. And poems that had meaning on the surface as well as a deeper underlying meaning.

First place: The Stanley plane
This was a poem that instantly appealed to me for all the above reasons. A beautifully paced series of couplets telling the story of a father’s Stanley plane. In these short lines it paints a picture of a time long ago where the roles in a marriage were more delineated. Despite the father’s lack of carpentry skills, he takes great care in repairing the mother’s washing line. Love is never mentioned but the poem sings with it. The child is a careful observer and the adult poet paints a vivid memory of an afternoon. I found it deeply moving.

Second place: No word
It was a close contest between First and Second. This poem questioning why the English
language doesn’t have specific words for various moments, people or conditions, such as
‘hairdos made by the vents in bicycle helmets,’ was original, quirky and downright funny. It showed poetry sophistication in handling some complicated conditions. I found it thought provoking and a great joy to read.

Third place: Too late
I had to read this subtle poem twice. Was it saying what I thought it was saying? It was. I
laughed out loud at the wry tone. But I also detected something more serious in the
persona’s reaction to being taken by surprise. I also very much liked the economy of words.

Highly Commended
These poems were selected because they were all surprising and moving in different ways. On another day they might have been winners.
The Great Poetry Heist: This amusing poem tells the motivation for a crime and has a killer last line.
Immigrants’ Child: A thoughtful look into the question of where we belong.
Rangiãtea: A beautiful expressed poem about belonging and identity.

Diane Brown – April 2019

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Welcome to Autumn

Welcome to the 2019 Autumn Poems in the Waiting Room poetry card.

Mercy Healthcare has been extremely supportive and has offered to sponsor our poetry cards for the next four seasons. We’re printing 8400 cards and delivering them all over New Zealand so Mercy’s support is very much appreciated.

Poets featured in our Autumn edition are; Annie Lighthart, Tami Haaland, Fiona Farrell, Charles Tomlinson, Richard Aronowitz, Donna Hilbert, Brian Turner, Michael Estabrook, Anya Silver and Sandra Simpson.

Cards may be found at medical waiting rooms, hospices, some hospitals, rest homes and prisons throughout New Zealand. If you can’t see any at your medical centre ask the staff to contact me and I’ll happily supply them. The cards are free.

Happy Reading – Ruth

 

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The 2019 competition has closed

Now the competition has closed I can tell you we received 389 poems from 202 poets -a record number of entries.

After Diane Brown agreed to judge our competition she heard she had been awarded a residency at the Michael King Writers studio in Auckland. She won’t be back in Dunedin until midway through March so I’ll hold the poems until then.

Thank you to all the poets who entered and thank you for your patience now.

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Summer 2018

IMG_0506.JPGOur summer card has been out a month now so a very belated welcome to it. If anyone in NZ would like copies of the summer card please let me know, I’ve got plenty to spare.

The featured December poets come from the USA and NZ – Faith Shearin, Robert K Johnson, Rosalind Horsman, Joyce Sutphen, Carolyn McCurdie, Marjorie Saiser, Greg O’Connell, Michael Estabrook, Helen Yong, Sidney Hall Jr, and Ruth Dallas.

I loved putting this card together. I hope you enjoy the selection. Send me feedback any time – it lets me know I’m on track!

Cheers -Ruth

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Our 2019 Poetry Competition

The PitWR trustees would like to thank  Otago University Press and Otago University Bookshop for their long-term support of our annual poetry competition. We welcome Karen McDonnell to our sponsorship team.  Karen owns The Wardrobe in South Dunedin Earlier in the year Karen opened The Wardrobe  for two evenings with 20% of the nights’ takings going to Poems in the Waiting Room. Please support our sponsors.

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Take a seat and read all the entry conditions below. Apologies for such a long scroll but hopefully the information will answer any questions you may have.

Conditions of Entry:

Information on how to enter and prizes form part of these Conditions of Entry. By entering the “Poems in the Waiting Room 2019 Poetry Competition” (“the Competition”), entrants agree to be bound by these Conditions of Entry.

  • The Competition is open to New Zealand residents only.
  • The Competition commences on November 1 2018 and closes at 5pm on 28 February 2019.
  • The maximum length for each poem submitted is 25 lines (excluding title).
  • Each entry must be the original work of the person submitting it, and may not have been previously published, broadcast, awarded any prize or payment or submitted elsewhere until after the announcement of the results of the Competition.
  • Poems may be on any subject or theme. The poems must be easily accessible, and not make great demands. Poems with political, religious, medical or morbid overtones will not be successful.
  •  Poems may be either neatly hand-written or typed on A4 paper.
  •  All entries will be judged anonymously. The entrant’s name must not appear on the poem itself.
  • Each entry must be accompanied by – a sheet of paper detailing the title/s of the poem/s, the entrant’s name, address, contact number and email address.
  • The entry fee is $5.00 for each poem. Payment may be made to any branch of the BNZ to the credit of Poems in the Waiting Room (NZ) a/c no. 02-0912-0102691-00, giving your name as the payer reference; or by cheque made out to ‘Poems in the Waiting Room NZ’, or in cash. Entry fees will be used to assist with ongoing funding so we can maintain our distribution area.
  • To enter the Competition, entrants should send one copy of each poem to Poems in the Waiting Room (NZ), 19 Hunt Street, Andersons Bay, Dunedin 9013.
  •  All entries must be received no later than 5pm on 28 February 2019 otherwise the entry will not be accepted. PitWR (NZ) takes no responsibility for lost, damaged, misdirected, late, illegible or incomplete entries. Entries submitted electronically will not be accepted.
  • Under no circumstances can alterations be made to poems once entered.
  • The judge’s decision will be final and no correspondence will be entered into.
  • Entrants must ensure that they keep a copy of their poem as poems cannot be returned and for administrative reasons entries cannot be acknowledged.
  • The copyright of each poem remains with the author.
  • The prize winners will be announced in April 2019 on PitWR (NZ)’s blog (waitingroompoems.wordpress.com) . Unsuccessful entrants will not be contacted.
  • By accepting a prize, winners consent to PitWR (NZ) using his/her details and photographs for promotional and media publicity purposes.
  • Winning poems may not appear in any other publication or website until after their publication in the PitWR(NZ) winter edition.
  • All entries received will be considered for publication in PitWR (NZ)’s English and Braille seasonal editions.
  • PitWR (NZ) reserves the right to cancel or amend the Competition or these Conditions of Entry at any time without prior notice. Any changes will be posted on PitWR (NZ)’s blog (waitingroompoems.wordpress.com). In the event of the Competition being cancelled all entry fees will be refunded.

 

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Only three days left of A Palette of Poetry

We close on Sunday afternoon, October 28th,  so if you fancy looking at some great artwork and reading some terrific poems get yourself down to Resene Colorshop in Crawford St, Dunedin. All the artworks are for sale. Red Dots mean sold.

Capture 2Anne Bannock’s Today I bought ………

IMG_0435Andy McCready’s Holy Scrap

Janie Porter’s The Sounds of the Sea and Abstract Points on Lines

IMG_0489.JPGKaren McDonnell’s response to the Jenny Joseph poem, Warning

IMG_0362Pauline Bellamy’s “The Second-hand Tent.”

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And the exhibition continues…..

If you live in Dunedin, pop along to the Resene Colorshop in Crawford St. Our annual fundraising exhibition is on until Sunday October 28. All artworks are for sale.

Four very different responses to the Jenny Joseph poem, Warning.

Artists from top to bottom; Anne Bannock, Sheryl McCammon, Celia Duff and Sarah Flourish

 

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